The Irishman – Scorsese’s Melancholy Farewell To The Genre He Perfected (Rating: 10/10)

I must admit, I went into The Irishman somewhat dreading it. American crime films have always been somewhat of a blind spot for me as someone who tends towards foreign animation and camp horror movies, and I find the trials and tribulations of hard-lined machismo more irritating than affecting, particularly when it comes at the expense of female characters. A 210-minute long movie in a genre I … Continue reading The Irishman – Scorsese’s Melancholy Farewell To The Genre He Perfected (Rating: 10/10)

Once Upon A Time…In Hollywood Review – A Nostalgic Ode To The End Of An Era (Rating: 9/10)

Quentin Tarantino is no stranger to controversy, and there remains very little that he hasn’t tackled – even when he maybe shouldn’t have done. With rape in Pulp Fiction, Nazis in Inglorious Basterds, and perhaps most dubiously slavery in Django Unchained, no taboo stone remains unturned. Next on his list, and fresh in the minds of some in the film industry, was the Manson murders, and the death … Continue reading Once Upon A Time…In Hollywood Review – A Nostalgic Ode To The End Of An Era (Rating: 9/10)

Socrates Review – A Sensitive Portrait Of Intersectional Poverty (Rating: 9/10)

In a cinematic world dominated by the MCU, it’s easy to fall into the trap of thinking that a film requires a large budget to be competent. When the average budget of a Hollywood movie is easily in the tens of millions of dollars, and entire CGI worlds have become mundane to most viewers, films that cost less than the price of a house to … Continue reading Socrates Review – A Sensitive Portrait Of Intersectional Poverty (Rating: 9/10)